Showing posts with label headlines. Show all posts
Showing posts with label headlines. Show all posts

Download Ayalon MF Fonts Family From Masterfont

Download Talmon MF Fonts Family From Masterfont

Download Kikar Dizengof MF Fonts Family From Masterfont

Download Kikar Dizengof MF Fonts Family From Masterfont
Download Kikar Dizengof MF Fonts Family From Masterfont Download Kikar Dizengof MF Fonts Family From MasterfontDownload Kikar Dizengof MF Fonts Family From Masterfont



Lots of alternative weights, readability, contemporary.



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Download Tmura MF Fonts Family From Masterfont

Download Mondia Fonts Family From Nasir Udin

Download Mondia Fonts Family From Nasir Udin


Mondia is a modern serif font family with 18 fonts inspired by transitional and contemporary typefaces. Mondia has been designed with high-contrast character ratio to give an elegant touch, and high x-height to give sentences more legibility.


Ranging from thin to fat with its matching italics, Mondia offers many possibilities to be applied in many graphic or editorial projects. Also thanks to the extended latin character set so that Mondia supports 200+ latin-based languages.


Mondia also has a complete set of true small caps that integrate beautifully with lowercase letters to give more emphasis to the highlighted texts.


Mondia has OpenType features built in, such as stylistic alternates, standard ligatures, special ligatures, oldstyle figures, localized letters, automatic fractions, sub/superscripts, and ordinals. Mondia also has a complete set of proportional and tabular numbers.


With those features, Mondia is a great choice for headline, branding, titles, but can also perfectly be used in small articles.



Download Mondia Fonts Family From Nasir Udin


Download New Yorker Type Classic Fonts Family From Wiescher Design

Download New Yorker Type Classic Fonts Family From Wiescher Design

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New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best. In the next step I repaired some of the mistakes that I made more than thirty years ago. Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick. Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher

Download New Yorker Type Classic Fonts Family From Wiescher Design
Download New Yorker Type Classic Fonts Family From Wiescher Design



Download New Yorker Type Classic Fonts Family From Wiescher Design


Download Flintlock Fonts Family From CozyFonts

Download Flintlock Fonts Family From CozyFonts

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The Flintlock Font Family has a Bold personality. The 'Rough' version of the Flintlock Font has a hand-carved or hand-etched edge, carefully crafted for each of over 300 glyphs. Caps, lower case, all numbers, fractions, accents and European characters that work in over 70 languages. 'Classically Built with a Vintage Flair'. Vintage in the American West Tradition that might have been forged and implemented from the 1860s through the 1930s and consequently fresh again. Flintlock Rough can be envisioned on many things dated from 1860 to present day. The font is available in 3 basic weights as of this release date. There are other versions on the drawing board... Flintlock Rough works extremely well with Posters, Branding, Movie Titles, Invites, Stationary, Signage, Embroidery, Letterpress, Ads, Logos and anything that feels Industrial or Hand-Crafted, eg. Coffee, Breweries, Antiques, Woodcuts, Western Styles, Sports Styles, Holidays, Menus, and more. Flintlock Flat & Flintlock Flat Italic are the siblings to Flintlock Rough without the hand-carved edge but rather clean with slightly rounded corners and edges. Extremely Legible, Bold and best used in all the same application descriptions mentioned above and more, specifically contemporary uses and settings, eg. Sports, Titles, Branding, Headlines, Logos and more. Curiously the Flat & Italic versions of Flintlock work extremely well in 1960s and 1970s settings.

Download Flintlock Fonts Family From CozyFonts
Download Flintlock Fonts Family From CozyFonts



Download Flintlock Fonts Family From CozyFonts


Download Hebron Hebrew Fonts Family From Jonahfonts

Download Novata Fonts Family From Eurotypo

Download Albireo Fonts Family From Cory Maylett Design

Download Albireo Fonts Family From Cory Maylett Design

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Albireo is a typeface for those times when you have more to say than space to say it. It also looks fantastic spread out across the page as though space doesn’t matter. Expertly crafted with a high level of attention to detail, Albireo is an immensely practical and flexible typeface that’s neutral enough to be used almost anywhere a highly condensed, sans-serif face is needed. Despite its down-to-earth functionality, this is a typeface that definitely isn’t lacking in style. It really shines when used for headlines or subheadings in magazines, brochures, posters, newspapers, flyers or on the web. With 42 weights, widths and italics, there’s enough flexibility to make every word fit perfectly. You may buy one font at a time or save money by purchasing packages consisting of the 14 fonts in each width (Extra Condensed, Condensed or Semi Condensed). Save even more by purchasing the entire collection and, in addition to the 42 separate fonts, you'll receive two variable fonts (upright and italic) that cover all the weights, widths and everything in between. So where does the name come from? Well, look upwards at night. Albireo is a binary star in the constellation Cygnus. Through a backyard telescope, Albireo (the star) resolves into two brilliant component stars — one orange and one blue. The beginnings of the typeface were the result of me needing a newspaper feature headline about space exploration. I couldn’t find the right typeface, so I drew my own letters and eventually expanded it out into an entire mega-family. Given its origins, naming it after my favorite star seemed totally appropriate. Check it out. I think you’ll love it. Albireo deserves its place as a shining star in everyone’s font collection. It’s that good — really.

Download Albireo Fonts Family From Cory Maylett Design
Download Albireo Fonts Family From Cory Maylett Design



Download Albireo Fonts Family From Cory Maylett Design